27 Feb 2017

The Lobster launch campaign

In a dystopian near-future, single people are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts

The Lobster Trailer (2016)

Objective

Picturehouse needed an agency to support with the UK release of The Lobster; a quirky Arthouse Blockbuster with an all-star ensemble cast including Colin Farrell, Rachel Weisz, Ben Whishaw, John C. Reilly, Olivia Colman, Lea Seydoux and many more.

The brief was to:

  • Build intrigue around The Lobster’s unique concept
  • Draw on the film’s comedic elements, in order to generate social conversations
  • Establish the release as the next big Arthouse Blockbuster

Approach

To promote this unique and darkly humorous film we focused on the key themes highlighted by the director, allowing us to subtly educate users to the story without giving spoilers, and to build genuine interest and intrigue. We split the campaign into two main sections:

Intrigue

To build interest in the film in the weeks before release we developed a campaign that focused on one key scene; ‘Man Eats Alone’. This scene demonstrates to the characters the potential perils and pitfalls of being single, and generally how much better life is when you are in a couple.

In the world of the film, being single isn’t an option, you are either in a relationship, or you are turned into an animal and released into the woods! We created a series of social assets to be used cross platform that would provide some fun, quirky and occasionally dark examples of propaganda that could appear in public places.

The assets were well received by fans across social channels for the BFI, Film4 and The Lobster, providing a great talking point for social and a place for users to share from and start their own debates around the themes.

Excite

When trying to explain the concept of the film, the thing that really gets a reaction from people is the idea that if you are single you will be taken to a room and changed into an animal. To add to this peril, you also have to choose which animal you would like to be.

To excite cinemagoers we put them in the place of the characters and asked them what they would be if they had to choose. We gave them some help though and created a darkly dangerous quiz that starts off restrained and ends with some evocative questions that really get to the heart of the user's psyche.

Our quiz then recommends which animal you should choose and provides a handy sharing asset allowing you to brag about being a Bear or congratulate yourself on being a Cat.

You can take the quiz here at www.lobsterfilmquiz.co.uk and find out what animal you should be!

Key Features

  • Full digital promotional strategy and content calendar
  • Custom illustrated social propaganda assets & copy
  • Full suite of social sharing assets across Twitter & Facebook
  • Design, development and copywriting of the Quiz
  • 50,000+ quiz users in the first 7 days!

13.2m

campaign engagements

+50,000

quiz completions in 7 days

06 Dec 2016

SES: Drupal 8, front-end teardown

We’ve just designed and built a new website for the world-leading satellite operator, SES. SES connects and enables broadcast, telecom, corporate and government customers, and enriches the lives of billions of people worldwide.

We’re really proud of how it’s turned out, and as it’s one of the first batch of high-profile large Drupal 8 websites, we’ve been asked by a wide range of people about our technical approach to building a complex site using the latest version of Drupal.

You can read our case study here on the project as a whole, but here is Stuart Wilson, Head of Frontend Development at Catch to explain a little more around our front-end approach:  

“The sheer scale of the SES website demanded a scalable and comprehensive front end system. As a team we approached the transition from design to code by creating a static style guide of individual components which would then be used to power the Drupal 8 website.

Our modular CSS was written in SASS using NPM to run build scripts and wrapping it up with PostCSS’ Autoprefixer for greater resilience to browser inconsistencies. Using BEM syntax and championing an OOCSS approach allowed us to write configurable componentry which was open to extension, but closed to core modification which meant that QA testing could happen earlier on in the build.

“The sheer scale of the SES website demanded a scalable and comprehensive front end system."

STUART WILSON, HEAD OF FRONT END DEVELOPMENT AT CATCH

Thanks to Drupal 8’s use of the Twig templating engine, we could test the flexibility of our HTML templates using mock data which was then swappable for real content from the CMS.  This created a unified theming workflow with clear ownership between the front and back end of the website and helped reduce code overhead whilst instilling scalability within the UI.

Thanks to our modular approach, we were able to utilise Drupal Paragraphs to promote greater flexibility across content types in the CMS, enabling SES to realise any combination of page designs they required.”

Visit www.ses.com and stay tuned for future SES developments. We’re continuing to work with the team in Luxembourg on increased website functionality and a range of other exciting digital products.

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